“There’s your heavy opera, where basically people sing foreign and it goes like ‘Oh oh oh, I am dyin’, oh I am dyin’, oh oh oh, that’s what I’m doin’,’ and there’s your light opera, where they sing in foreign and it basically goes ‘Beer! Beer! Beer! Beer! I like to drink lots of beer!’, although sometimes they drink champagne instead. That’s basically all of opera, reely.” – Nanny Ogg, Terry Pratchett, Maskerade
Ivey makes her role debut as Despina in Così Fan Tutte with Comet Opera UTD this December.
She recently appeared as Perdita in Public Works Dallas’s 2018 production of The Winter’s Tale, Lear DeBessonet’s musical adaptation directed by Kent Gash at the Dallas Theater Center. In summer 2018, she studied and performed with Opera in Concert in Italy under the direction of Edward and Heather Crafts. She continues to study with Edward Crafts in Dallas and acts as marketing designer for Opera in Concert.
As a student at UT Dallas, Ivey has previously appeared as Benedick in Much Ado About Nothing and as Cherubino in The Marriage of Figaro. She designed the Mozart pastiche operetta Much Ado for the newly-founded student organization Comet Opera and, as Benedick, explored the music of two of Mozart’s early castrato roles, Cecilio (Lucio Silla) and Ramiro (La Finta Giardiniera). As Cherubino, she made her opera debut and was praised for her energy and physical comedy.
In July 2017 she also appeared as Prince Orlofsky (Die Fledermaus) with North Carolina’s Little Opera Company of Charlotte.
Growing up in a culture of a capella vocal music in the Primitive Baptist church, Ivey began formally studying voice with vocal/piano teacher Kathryn Ivey-Barr of Joyful Noise Music Studio in 2010 and went on to work with Dr. Kathryn Evans in 2014. She recieved a minor in music from the University of Texas at Dallas in May 2017, and continues to study and perform there with Comet Opera and as a soloist with the UTD Chamber Singers. As a Creative Practice MFA student in the Arts and Technology program, she studies marketing and web design and finds ways to integrate opera performance, video, and marketing.
(On the rare occasion that her work does not directly involve singing, her classmates often encourage her to sing anyway.)